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The luxury of architecture

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The luxury of architecture    I woke up this morning walking down the backstreets of Granada, searching for my dog amid the soundscape and memory of a colorful world of twirling imagery. I woke up in my bed from a dream of an intensely sensual world into this remarkable world of passion and discovery we like to call architecture. There are many things that come and go in our modern world. Most of the things we encounter or need in our daily lives are products manufactured in the great spirit of the Industrial Revolution. Yet thankfully, architecture remains one of the bulwarks against mass production. In an age when every form of art and craft has been packaged into a plastic container of instant satisfaction and convenience, the hand of the architect still matters. It is why every building in our city is, at one point or another, the labor of love of someone who once dreamt of creating a masterpiece of concrete and steel. Architecture defies being shoehorned into the perfect white box
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Art and Architecture Article

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Unlike anything that had come before it, modern architecture was not an evolution of its predecessors. The modern movement threw out the decorative designs of the 19th century. It replaced them with straight lines, whitewashed facades, open spaces, and large windows. The difference between modern and traditional architecture was stark and progressive. Fort Lauderdale architects Rex Nichols Architects (RNA) consider contemporary architecture the architecture of today. Contemporary architecture is an evaluation of modern architecture, instead of the revolution that modern art was. Usually, New York architects and Dubai architects design contemporary architecture that retains the open spaces and the simplicity of modern architecture, there are influences from Deconstruction and Sustainability, but there is no limit of what contemporary architecture can achieve. Frequently contemporary architecture can be seen as contemporary art.  Both art and architecture reflect and influence the times
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Art&Architecture:-THE PEOPLE OF CLUDE COMMON ,PORTLAND

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THE PEOPLE OF CLUDE COMMON ,PORTLAND While I most often draw subjects that are architectural, or urban, or even landscape-oriented, and I go to figure drawing sessions as often as time permits ... I don't often draw people in public places - buses, cafes, bars and the like. Drawing in bars and cafes like this is obviously a time-honored tradition among urban sketchers, but it's relatively new to me. I must say, though, that it's a fantastic conversation-starter. Of course people are curious about what you're doing and why you keep glancing briefly in their direction, and when they see even a halfway decent representation of themselves, it seems to really pique their interest. I also did a fair amount of journal-writing, occasionally having some fun with the formatting of the page. In this case, the people were basically a composite image - I sketched various individuals and people in the background as though the bar was much longer and more crowded than it was in realit
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